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              4707 Finding Aid results for Photographs

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              SDSU-Archives UA 053.027-UA 53.27: B01-UA 53.27: B01-F08-UA 53.27 B01-F08: 0082 · Photograph · 1977
              Part of Dave Martin Papers

              Photographer on street corner in Old Havana, Cuba, posing near motorcycle

              Men dining
              SDSU-Archives UA 053.027-UA 53.27: B01-UA 53.27: B01-F07-UA 53.27: B01-F07-014 · Photograph · 1977
              Part of Dave Martin Papers

              Men from South Dakota and Cuba delegations dining

              SDSU-Archives UA 053.004-UA 53.4: B09-UA 53.4:B09-F10-UA53-04-0159 · Photograph · 8/25/1949
              Part of N. E. Hansen Papers

              Monument dedicated to N.E. Hansen in recognition to his service to South Dakota State College, it was located in between the Administration Building and the Horticulture Building; the bronze citation reads: 'South Dakota State College seeks to perpetuate the memory of its long-time fruit and plant breeder: Niels Ebbesen Hansen. Born at Rebe, Denmark, January 4, 1866, came to the United States in 1873. Made Professor of Horticulture of South Dakota State College in 1895; Professor Emeritus in 1937. A world traveler and collector of plants, he developed drought resistant verities of fruits, flowers, and grasses for the Great Plains. His efforts provided the people of the Great Plains the means through which they enjoy a better living. August 25, 1959.' The rock was donated by Jno E. Gueffroy from near Colman, South Dakota. It is approximately 4.5 feet tall, 4.5 feet wide, with a 26 inch base.

              SDSU-Archives UA 053.004-UA 53.4: B09-UA 53.4: B09-F08-UA53-04-0003 · Photograph · 1924-07-26 to 1924-10-17
              Part of N. E. Hansen Papers

              View of the Mausoleum of General Ma Zhanshan in Harbin, China; written in pencil on the back: Mausoleum built by General Ma for himself and two wives, Harbin, China, 1924

              Mary Jo Benton Lee Papers
              SDSU-Archives UA 053.024 · Papers · 1984-2010

              The Mary Jo Benton Lee Papers document her work in teaching, program development, diversity initiatives, and outreach at South Dakota State University from 1987 to 2010. The collection is composed of four main areas: the Promotional Techniques for Engineers class, student class projects, personal files, and the SDSU–Flandreau Indian School Success Academy.

              The Promotional Techniques for Engineers class, created in 1987 by Dean of Engineering Ernest Buckley and Benton Lee, was designed to train engineering students in journalism and public communication. Students promoted university and statewide events, managing substantial budgets to design publicity campaigns, advertisements, news releases, and promotional materials. Records include class lecture notes, campaign notebooks, audio-visual materials, assignments, and proceedings of the American Society of Engineering Education describing the course.

              The Class Projects series contains files related to student-led promotional campaigns, including the Impact ’87 Trade Fair, the Making Connections ethics seminar, and the Expanding Horizons Together entrepreneurship workshop. Materials include promotional reports, news clippings, media kits, advertisements, event programs, and evaluation documents that illustrate how engineering students applied communication skills in real-world projects.

              The Personal Files series includes Benton Lee’s professional records while serving as graduate assistant for the South Dakota Space Grant Consortium (1992–1998), during which South Dakota’s tribal colleges were incorporated into the consortium, and her role as Diversity Coordinator for the College of Engineering (1998–2010). These files reflect engineering diversity initiatives, faculty meetings, scholarship programs, recruitment and retention activities, management and leadership training, and national organizations promoting women and minorities in STEM.

              The Flandreau Indian School Success Academy files document the development of an early and intensive college preparatory program for American Indian high school students co-founded by Benton Lee. Materials include program reports, annual evaluations, histories of the Flandreau Indian School, commencement materials, and ten-year program reviews spanning 2000 to 2010.

              This collection provides a record of teaching methods that combined communication and engineering, highlighting how students were engaged in leadership and professional skill-building through public relations campaigns. It also illustrates the broader efforts of South Dakota State University to support diversity and inclusion in engineering education, particularly through partnerships with tribal colleges and the Flandreau Indian School. The papers reflect Benton Lee’s career as a scholar, teacher, and administrator who shaped engineering outreach, diversity initiatives, and early college preparatory opportunities for underrepresented students.

              Lee, Mary Jo Benton
              Marilyn Richardson Papers
              SDSU-Archives UA 053.011 · Papers · 1947-1994

              The Marilyn Richardson Papers document the growth and formalization of dance as an academic discipline and performing art at South Dakota State University (SDSU), largely through the pioneering efforts of Marilyn Richardson. Spanning the years 1957 to 1994, the collection includes awards, correspondence, programs, newsletters, publicity materials, scrapbooks, photographs, slides, and videocassettes that trace the establishment of SDSU’s dance curriculum, student organizations, and performance traditions.

              The collection includes numerous awards and plaques recognizing Richardson’s contributions to SDSU, state and regional dance education, and professional associations such as AAPERD and the South Dakota Association for Health, Physical Recreation, and Dance. General files feature Dance Club records, concert choreography, dance camp and workshop materials, administrative proposals, and personal correspondence. Included are materials related to the creation of the dance minor, biographical documentation of Richardson, and collaborative records involving figures such as Nellie F. Kendall, Barbara Kohn, and Terry Larvie.

              Photographs, slides, and videocassettes provide visual documentation of dance concerts, rehearsals, student and faculty performances, the Motion Machine student company, workshops, guest artist residencies, and experimental choreography. Publicity materials consist of posters created to promote student and faculty concerts and often feature collaged images of past performances. Scrapbooks compiled by the Dance Club and Modern Dance Club include photographs, programs, and clippings that reflect student engagement and the evolving role of dance within the university community.

              This collection captures the dance program at SDSU during a period when the arts were gaining broader academic legitimacy within land-grant institutions. It reflects Marilyn Richardson’s leadership in elevating dance from extracurricular activity to academic offering, her commitment to student development, and her efforts to connect university dance with K-12 outreach and public engagement across South Dakota. The records document the creation of the dance minor, the founding of the Motion Machine touring company, and the long-standing Annual and Experimental Dance Concerts—milestones that shaped the presence of performing arts at SDSU. The collection serves as a valuable resource for understanding the intersection of education, performance, and community arts during the late 20th century.

              Richardson, Marilyn (Marilyn W.)