Views in the Ottoman empire, chiefly in Caramania, a part of Asia Minor hitherto unexplored : with some curious selections from the islands of Rhodes and Cyprus, and the celebrated cities of Corinth, Carthage, and Tripoli: from the original drawings in the possession of Sir R. Ainslie, taken during his embassy to Constantinople
London: R. Bowyer, 1803

Luigi Mayer was a watercolorist and draftsman of Italian origin. Mayer's sketches have been cited as the most accurate representations of the Middle East prior to the nineteenth century.

Also includes what appears to be tearsheets from a magazine or other publication showing the members of the choir.

Village nestled in the mountains by the Inland Sea in Japan; written in pencil on the back: Along Inland Sea, Japan 1924

The Virginia Driving Hawk Sneve Papers document the literary career, research, and advocacy of the acclaimed Lakota writer, educator, and historian. Spanning from the 1960s to the 2020s, the collection includes manuscripts, correspondence, research materials, and published works that reflect her dedication to Native American storytelling and cultural preservation. It offers a comprehensive look at her contributions to literature, education, and Indigenous representation.

The Creative Writings series contains an extensive range of works, including Completing the Circle, The Medicine Bag, Dancing Teepees, Standing Bear of the Ponca, Sioux Women, and other significant titles. Each work is accompanied by manuscripts, clippings, correspondence, research notes, printer's galleys, proofs, reviews, and scripts. Many manuscripts include editorial annotations and suggested revisions, highlighting the development process of her works. Correspondence primarily consists of letters between Sneve and her publishers, as well as heartfelt messages from schoolchildren, some with drawings, thanking her for her books and school visits. Research materials within the series include notes, collected documents, and recorded interviews. The collection also includes a video adaptation of High Elk's Treasure.

The General series encompasses a broad spectrum of materials, including documentation of Sneve's various activities, honors, and awards, speaking engagements, clippings, interviews, journals, and diverse research materials. Her involvement in numerous boards, commissions, and cultural organizations is well documented, along with numerous honors such as the National Humanities Medal, Spirit of Crazy Horse Award, and recognition from educational and arts organizations across South Dakota and nationally. The speaking engagements reflect her role as a prominent public voice on Native American literature, history, and culture, featuring presentations at conferences, universities, museums, and festivals across the United States and internationally.

The Correspondence series features exchanges with publishing houses, fellow writers such as Bob Karolevitz and Audrae Visser, and political figures including Senator Larry Pressler. Of particular note is an audio reel of an interview Sneve conducted with Harold Shunk, a Bureau of Indian Affairs superintendent. The series also contains various teaching aids and historical photographs, including a 1901 class photo, adding depth to the collection's educational value.

The Other Writings series highlights Sneve's contributions beyond creative literature. This includes published articles, scripts for a South Dakota Public Radio series, Christian education resources produced for the Episcopal Church Center, newspaper editorials, studies related to the Flandreau Indian School, and her contribution to On the Wings of Peace, a compilation benefiting world peace organizations. These materials showcase her engagement with broader educational and social issues within and beyond Native communities.

This collection serves as a significant resource for researchers, scholars, and educators studying Indigenous literature, storytelling, and cultural history. It offers insights into Native identity, advocacy, and representation, highlighting Virginia Driving Hawk Sneve's enduring impact on Native American literary and educational landscapes.

The Vivian Volstorff Papers span from 1904 to 2002 and document the personal life, professional career, scholarly output, and civic contributions of Dr. Vivian Virginia Volstorff, who served as Dean of Women, Director of Student Activities, and professor of history at South Dakota State University. The collection reflects her influential leadership on campus and her broader involvement in academic, civic, and professional organizations.

Materials include extensive documentation from her tenure as Dean of Women, such as reports, staff meeting notes, housing committee records, and correspondence related to student affairs and women’s organizations. Personal items include biographical records, letters, greeting cards, photographs, and memorabilia. Numerous folders contain speeches and public addresses, delivered across decades on themes ranging from international relations to higher education for women, student ethics, and civic values.

The collection also includes manuscripts and published writings, notably drafts and materials related to her historical monograph Winds of Change. Additional writings include her dissertations and theses on William Charles Cole Claiborne, James Wilkinson, and Pliny the Younger. A substantial portion of the material documents her affiliations with local and national organizations such as the American Association of University Women, Mortar Board, Delta Zeta, and others.

Collected material and subject files compiled by Volstorff provide insight into her research interests in education, morality, manners, youth culture, Soviet relations, and American identity. Her research on SDSU is especially comprehensive, including histories of campus buildings, student traditions, presidential administrations, and faculty organizations, as well as early publications such as Industrial Collegian and the Alumni Association Bulletin.

This collection offers documentation of mid-20th century women’s leadership in higher education, student life and governance, and South Dakota State University history. It will be particularly useful for researchers studying women in academic administration, 20th-century higher education reform, student housing and campus activism, and the cultural history of SDSU.

photograph of Carrie Ingalls school class

The collection documents research conducted by William Ray Gibbons on the development of renewable fuels and related products derived from agricultural biomass. Materials date primarily from the late 1970s through the 2010s and focus on ethanol production using feedstocks such as fodder beets, corn, sweet sorghum, and agricultural byproducts. The collection includes scholarly articles, technical reports, economic feasibility studies, energy analyses, draft manuscripts, correspondence, and supporting data related to small scale, farm scale, and commercial scale fuel alcohol production.

Also included are draft and final versions of Gibbons’ master’s thesis and doctoral dissertation addressing the technology and economics of ethanol production from fodder beets, along with supplementary research data, tables, and figures. Visual materials such as photographs, slides, transparencies, posters, and charts document experimental procedures, fermentation systems, distillation equipment, and pilot plant operations. Conference papers, seminar materials, and presentations illustrate the dissemination of research findings within academic, agricultural, and industry settings.

The collection further contains newspaper and magazine clippings reflecting public and policy discourse on ethanol and renewable energy over several decades, as well as draft legislative testimony, notes, and briefing materials related to ethanol tax incentives and renewable fuel policy. Additional subject areas include mushroom cultivation using agricultural waste products, energy balance studies, and economic impact analyses of ethanol production in regional and national contexts.

This collection is significant for documenting South Dakota State University’s long term research contributions to renewable energy, applied microbiology, and agricultural biotechnology. It provides detailed evidence of early and sustained investigations into ethanol production technologies, economic feasibility, and energy efficiency at small and community scales. The materials support research into the historical development of the ethanol industry, agricultural innovation in the Upper Midwest, and the role of land grant universities in advancing alternative energy research and informing public policy.

The Women Artists in Collaboration Records document the activities and creative work of the group, primarily through materials collected by co-founder Marilyn Richardson. The collection consists of correspondence (1986-1990), financial records (1987-1990), and project materials (1985-1989), which provide insight into the group's operations and artistic collaborations. The project records are particularly significant as they detail performance concepts and the collaborative process.

Additionally, the collection includes clippings, guest books (1987), meeting records (1986-1987), member biographies, and programs, offering context on the group's membership and events. Two scrapbooks (1985-1987, 1988) contain photographs and memorabilia, documenting performances, and the group's artistic impact. This collection highlights the group's creative contributions and organizational history.

Paperback

Los Angeles, UCLA, unidentified, Gregory, SD, Oscar Micheaux, Music Man town

Illustrations

Portrait of a young N.E. Hansen wearing a bow tie and a dark jacket

Images 0620-0653

Images 0001-0010

Images 0001-0060

Images 0494-0561

Images 0563-0619