Sherwood Berg [0:35], David Chicoine [047], Langelett [0:25], Peggy Miller [0:45], Thompson [:60], Schultz B Roll

The T.W. Schultz Nobel Prize 30th Anniversary Planning Committee Records document the commemoration efforts surrounding the 30th anniversary of Theodore W. Schultz’s Nobel Prize in Economics. The collection is composed of meeting minutes, correspondence, digital images, and digital video materials related to a symposium honoring Schultz. It also includes promotional materials such as the Investing in People poster, biographical and bibliographical materials compiled by South Dakota State University’s Briggs Library and other archives, clippings, and speeches by Schultz. Additional items include a tribute to Dr. Ted and Esther Schultz and a symposium video in multiple formats. These materials reflect both the planning process and the legacy of Schultz’s contributions to economics, particularly his pioneering work in human capital theory.

This collection is significant for its documentation of an international scholar with roots in South Dakota, offering insights into the planning and celebration of academic achievement at SDSU. Schultz’s Nobel-winning work transformed economic thinking on education, development, and agricultural productivity. The materials preserve not only institutional memory of the event but also serve as a testament to Schultz’s intellectual influence and personal connection to the university and region.

The Old and New Testament connect in the history of the Jews and neighbouring nations, from the declension of the kingdoms of Israel and Judah to the time of Christ
London: Printed for R. Knaplock and J. Tonson, 1718

Humphrey Prideaux served as a lecturer in Hebrew at Christ Church, Oxford. Prideaux wrote a number of theological works.

The works of William Hogarth: from the original plates, restored by James Heath; with the addition of many subjects not before collected; to which are prefixed, A biographical essay on the genius and productions of Hogarth, and explanations of the subjects of the plates by John Nichols
London: Printed for Baldwin and Cradock by G. Woodfall, [1880?]

William Hogarth was a major figure among eighteenth-century engravers and painters. He excelled at portrait painting and displaying a satiric style.

The Vera Way Marghab Papers is a comprehensive archive documenting the life and work of a woman who played a significant role in the luxury textile industry. The collection offers insight into her personal journey, from her early years in South Dakota to her time as a piano student in New York City, as well as her relationship with Emile Marghab through extensive correspondence. While much of the material is centered on her personal life, the collection also reflects her role in the linen industry as the driving force behind Marghab, Ltd. and Emile Marghab, Inc. The records highlight her meticulous nature, as she preserved extensive documentation on both her personal and professional endeavors. Given the interwoven nature of her life and career, the materials are arranged into distinct series that provide a structured approach to understanding her legacy.

The Business Series encompasses all aspects of the Marghab enterprises, both in New York and Madeira. It includes materials on the founding of the company, capturing the vision and strategy behind Emile and Vera's business model, as well as its eventual dissolution. Correspondence reflects their relationships with artisans, business partners, and shop managers, while records on design illustrate Vera's influence in maintaining the highest standards of quality. Trademark and copyright documents, including coded correspondence aimed at protecting proprietary designs, shed light on the competitive nature of the textile industry. One of the aspects of this series is the material related to the Mayflower cloth, a specially designed tablecloth for the 1957 Mayflower II voyage, which later became an exhibition piece at the World's Fair in Australia. Administrative records from the New York and Madeira operations provide insight into the governance and structure of the business, including shareholder meetings, factory logistics, and high-profile engagements with diplomats and the U.S. Navy. Employee records detail the hiring process, disputes, and pension plans, while financial records illustrate the company's fiscal health, including instances of embezzlement and tax matters. The marketing strategy developed by Vera is well-documented, with strict guidelines for Marghab Shops, controlled advertising, and policies that set the company apart from competitors. Records on the shops provide a glimpse into Vera's selective approach, including her direct correspondence with store managers and evaluations of potential retail locations.

The Personal Series reflects Vera's multifaceted life beyond her business endeavors. Materials include portraits and fabric samples that visually represent her legacy. Her commitment to philanthropy is evident in records of charitable donations and correspondence with organizations she supported. A large portion of the series consists of clippings and collected materials, which demonstrate her curiosity and engagement with various subjects. Personal correspondence includes letters to and from family, friends, and colleagues, some of which intersect with business matters. Financial records cover her personal wealth management, including investments, estate planning, and legal affairs. The series also includes materials on her life in Madeira, providing additional context to her time spent there beyond the confines of business. The establishment of the Marghab Gallery at the South Dakota Art Museum is well-documented, capturing her dedication to preserving the artistry of Marghab linens. Music played an important role in Vera's early life, and materials on her musical education and performances offer insight into this passion. Personal writings, including reflections and philosophical musings, provide a more intimate look at her character and outlook on life.

Significant figures in Vera's life are highlighted through correspondence and clippings, most notably her husband, Emile, and her immediate family. Her engagement with politics is documented through materials on political figures and organizations of interest to her. Rare book records illustrate her scholarly interests and her contributions to South Dakota State University's library. Recognition for her contributions to the textile industry and beyond is captured in awards, articles, and documentation of a Marghab video project. Social engagements and affiliations with arts organizations further reflect her cultural involvement. Her extensive travels, both domestic and international, are documented in travel records, revealing her connections to a broader global network. Her deep ties to Watertown, South Dakota, are evident in materials related to her home, Wayland, and her properties on Lake Kampeska, as well as documentation on community events and restoration projects.

This collection is of exceptional significance, offering researchers a rich narrative of a woman who was both a cultural tastemaker and a shrewd business leader. It captures the evolution of a company that set new standards in luxury linens, the meticulous approach that defined its success, and the challenges it faced in an ever-changing economic and political landscape. Equally important, it provides a deeply personal portrait of Vera Way Marghab, allowing scholars to explore the intersections of entrepreneurship, artistry, and personal ambition. The collection stands as a valuable resource for those interested in business history, women's history, textile design, and the legacy of craftsmanship that Marghab linens represent.

Views in the Ottoman empire, chiefly in Caramania, a part of Asia Minor hitherto unexplored : with some curious selections from the islands of Rhodes and Cyprus, and the celebrated cities of Corinth, Carthage, and Tripoli: from the original drawings in the possession of Sir R. Ainslie, taken during his embassy to Constantinople
London: R. Bowyer, 1803

Luigi Mayer was a watercolorist and draftsman of Italian origin. Mayer's sketches have been cited as the most accurate representations of the Middle East prior to the nineteenth century.

The Virginia Driving Hawk Sneve Papers document the literary career, research, and advocacy of the acclaimed Lakota writer, educator, and historian. Spanning from the 1960s to the 2020s, the collection includes manuscripts, correspondence, research materials, and published works that reflect her dedication to Native American storytelling and cultural preservation. It offers a comprehensive look at her contributions to literature, education, and Indigenous representation.

The Creative Writings series contains an extensive range of works, including Completing the Circle, The Medicine Bag, Dancing Teepees, Standing Bear of the Ponca, Sioux Women, and other significant titles. Each work is accompanied by manuscripts, clippings, correspondence, research notes, printer's galleys, proofs, reviews, and scripts. Many manuscripts include editorial annotations and suggested revisions, highlighting the development process of her works. Correspondence primarily consists of letters between Sneve and her publishers, as well as heartfelt messages from schoolchildren, some with drawings, thanking her for her books and school visits. Research materials within the series include notes, collected documents, and recorded interviews. The collection also includes a video adaptation of High Elk's Treasure.

The General series encompasses a broad spectrum of materials, including documentation of Sneve's various activities, honors, and awards, speaking engagements, clippings, interviews, journals, and diverse research materials. Her involvement in numerous boards, commissions, and cultural organizations is well documented, along with numerous honors such as the National Humanities Medal, Spirit of Crazy Horse Award, and recognition from educational and arts organizations across South Dakota and nationally. The speaking engagements reflect her role as a prominent public voice on Native American literature, history, and culture, featuring presentations at conferences, universities, museums, and festivals across the United States and internationally.

The Correspondence series features exchanges with publishing houses, fellow writers such as Bob Karolevitz and Audrae Visser, and political figures including Senator Larry Pressler. Of particular note is an audio reel of an interview Sneve conducted with Harold Shunk, a Bureau of Indian Affairs superintendent. The series also contains various teaching aids and historical photographs, including a 1901 class photo, adding depth to the collection's educational value.

The Other Writings series highlights Sneve's contributions beyond creative literature. This includes published articles, scripts for a South Dakota Public Radio series, Christian education resources produced for the Episcopal Church Center, newspaper editorials, studies related to the Flandreau Indian School, and her contribution to On the Wings of Peace, a compilation benefiting world peace organizations. These materials showcase her engagement with broader educational and social issues within and beyond Native communities.

This collection serves as a significant resource for researchers, scholars, and educators studying Indigenous literature, storytelling, and cultural history. It offers insights into Native identity, advocacy, and representation, highlighting Virginia Driving Hawk Sneve's enduring impact on Native American literary and educational landscapes.

The Vivian Volstorff Papers span from 1904 to 2002 and document the personal life, professional career, scholarly output, and civic contributions of Dr. Vivian Virginia Volstorff, who served as Dean of Women, Director of Student Activities, and professor of history at South Dakota State University. The collection reflects her influential leadership on campus and her broader involvement in academic, civic, and professional organizations.

Materials include extensive documentation from her tenure as Dean of Women, such as reports, staff meeting notes, housing committee records, and correspondence related to student affairs and women’s organizations. Personal items include biographical records, letters, greeting cards, photographs, and memorabilia. Numerous folders contain speeches and public addresses, delivered across decades on themes ranging from international relations to higher education for women, student ethics, and civic values.

The collection also includes manuscripts and published writings, notably drafts and materials related to her historical monograph Winds of Change. Additional writings include her dissertations and theses on William Charles Cole Claiborne, James Wilkinson, and Pliny the Younger. A substantial portion of the material documents her affiliations with local and national organizations such as the American Association of University Women, Mortar Board, Delta Zeta, and others.

Collected material and subject files compiled by Volstorff provide insight into her research interests in education, morality, manners, youth culture, Soviet relations, and American identity. Her research on SDSU is especially comprehensive, including histories of campus buildings, student traditions, presidential administrations, and faculty organizations, as well as early publications such as Industrial Collegian and the Alumni Association Bulletin.

This collection offers documentation of mid-20th century women’s leadership in higher education, student life and governance, and South Dakota State University history. It will be particularly useful for researchers studying women in academic administration, 20th-century higher education reform, student housing and campus activism, and the cultural history of SDSU.