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Finding Aid
Translation/library letter
AR 3: B03-F21 · Folder · 1987
Part of Cuneiform Tablet Collection

The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information.

UA53-04-0130 · Photograph · undated
Part of N.E. Hansen

Two Karakul fat tailed sheep were white long haired woolen sheep found in Turkistan that N.E. Hansen urged should be imported to the United States for dry hot regions like Arizona and New Mexico

Untitled - Squirrel
MA 131: B08 IT-010 · Framed · undated
Part of James Pollock Papers

Depicts a squirrel eating an acorn with leaves at its feet.
Illustration used in SD Digest Magazine.

Pollock, James
Vera Way Marghab Papers
MA 025 · Papers · 1883-1998

The Vera Way Marghab Papers is a comprehensive archive documenting the life and work of a woman who played a significant role in the luxury textile industry. The collection offers insight into her personal journey, from her early years in South Dakota to her time as a piano student in New York City, as well as her relationship with Emile Marghab through extensive correspondence. While much of the material is centered on her personal life, the collection also reflects her role in the linen industry as the driving force behind Marghab, Ltd. and Emile Marghab, Inc. The records highlight her meticulous nature, as she preserved extensive documentation on both her personal and professional endeavors. Given the interwoven nature of her life and career, the materials are arranged into distinct series that provide a structured approach to understanding her legacy.

The Business Series encompasses all aspects of the Marghab enterprises, both in New York and Madeira. It includes materials on the founding of the company, capturing the vision and strategy behind Emile and Vera’s business model, as well as its eventual dissolution. Correspondence reflects their relationships with artisans, business partners, and shop managers, while records on design illustrate Vera’s influence in maintaining the highest standards of quality. Trademark and copyright documents, including coded correspondence aimed at protecting proprietary designs, shed light on the competitive nature of the textile industry. One of the aspects of this series is the material related to the Mayflower cloth, a specially designed tablecloth for the 1957 Mayflower II voyage, which later became an exhibition piece at the World’s Fair in Australia. Administrative records from the New York and Madeira operations provide insight into the governance and structure of the business, including shareholder meetings, factory logistics, and high-profile engagements with diplomats and the U.S. Navy. Employee records detail the hiring process, disputes, and pension plans, while financial records illustrate the company’s fiscal health, including instances of embezzlement and tax matters. The marketing strategy developed by Vera is well-documented, with strict guidelines for Marghab Shops, controlled advertising, and policies that set the company apart from competitors. Records on the shops provide a glimpse into Vera’s selective approach, including her direct correspondence with store managers and evaluations of potential retail locations.

The Personal Series reflects Vera’s multifaceted life beyond her business endeavors. Materials include portraits and fabric samples that visually represent her legacy. Her commitment to philanthropy is evident in records of charitable donations and correspondence with organizations she supported. A large portion of the series consists of clippings and collected materials, which demonstrate her curiosity and engagement with various subjects. Personal correspondence includes letters to and from family, friends, and colleagues, some of which intersect with business matters. Financial records cover her personal wealth management, including investments, estate planning, and legal affairs. The series also includes materials on her life in Madeira, providing additional context to her time spent there beyond the confines of business. The establishment of the Marghab Gallery at the South Dakota Art Museum is well-documented, capturing her dedication to preserving the artistry of Marghab linens. Music played an important role in Vera’s early life, and materials on her musical education and performances offer insight into this passion. Personal writings, including reflections and philosophical musings, provide a more intimate look at her character and outlook on life.

Significant figures in Vera’s life are highlighted through correspondence and clippings, most notably her husband, Emile, and her immediate family. Her engagement with politics is documented through materials on political figures and organizations of interest to her. Rare book records illustrate her scholarly interests and her contributions to South Dakota State University’s library. Recognition for her contributions to the textile industry and beyond is captured in awards, articles, and documentation of a Marghab video project. Social engagements and affiliations with arts organizations further reflect her cultural involvement. Her extensive travels, both domestic and international, are documented in travel records, revealing her connections to a broader global network. Her deep ties to Watertown, South Dakota, are evident in materials related to her home, Wayland, and her properties on Lake Kampeska, as well as documentation on community events and restoration projects.

This collection is of exceptional significance, offering researchers a rich narrative of a woman who was both a cultural tastemaker and a shrewd business leader. It captures the evolution of a company that set new standards in luxury linens, the meticulous approach that defined its success, and the challenges it faced in an ever-changing economic and political landscape. Equally important, it provides a deeply personal portrait of Vera Way Marghab, allowing scholars to explore the intersections of entrepreneurship, artistry, and personal ambition. The collection stands as a valuable resource for those interested in business history, women’s history, textile design, and the legacy of craftsmanship that Marghab linens represent.

Marghab, Vera Way, 1900-1995
Views in the Ottomon empire
MA 25: NC257.M388 A4 1803 · Item · 1803
Part of Vera Way Marghab Papers

Views in the Ottoman empire, chiefly in Caramania, a part of Asia Minor hitherto unexplored : with some curious selections from the islands of Rhodes and Cyprus, and the celebrated cities of Corinth, Carthage, and Tripoli: from the original drawings in the possession of Sir R. Ainslie, taken during his embassy to Constantinople
London: R. Bowyer, 1803

Luigi Mayer was a watercolorist and draftsman of Italian origin. Mayer’s sketches have been cited as the most accurate representations of the Middle East prior to the nineteenth century.

Mayer, Luigi
MA 019 · Papers · 1862, 1901, 1925-2021, undated

The Virginia Driving Hawk Sneve Papers document the literary career, research, and advo-cacy of the acclaimed Lakota writer, educator, and historian. Spanning from the 1960s to the 2020s, the collection includes manuscripts, correspondence, research materials, and pub-lished works that reflect her dedication to Native American storytelling and cultural preservation. It offers a comprehensive look at her contributions to literature, education, and Indige-nous representation.

The Creative Writing series contains fiction and non-fiction works, including Completing the Circle, The Medicine Bag, Dancing Teepees, Standing Bear of the Ponca, and Sioux Women. Each work is accompanied by manuscripts, clippings, correspondence, research notes, print-er’s galleys, proofs, reviews, and scripts. Many manuscripts include editorial annotations and suggested revisions. The correspondence primarily consists of letters between Sneve and publishers, as well as heartfelt messages from schoolchildren, some with drawings, thanking her for her books and school visits. Research materials include notes, collected documents, and recorded interviews. A video adaptation of High Elk’s Treasure is also part of the collection.

The General series includes awards, speaking engagements, clippings, interviews, journals, and research materials. Correspondence features exchanges with publishing houses, Sena-tor Larry Pressler, and fellow writers such as Bob Karolevitz and Audrae Visser. Notably, the series contains an audio reel of an interview Sneve conducted with Harold Shunk, a Bureau of Indian Affairs superintendent. Other items include a 1901 class photograph and various teaching aids.

The Other Writings series highlights Sneve’s contributions beyond creative literature, includ-ing published articles, scripts for a South Dakota Public Radio series, Christian education re-sources for the Episcopal Church Center, newspaper editorials, studies for the Flandreau In-dian School, and a contribution to On the Wings of Peace, a compilation benefiting world peace organizations.

This collection serves as a significant resource for researchers, scholars, and educators stud-ying Indigenous literature, storytelling, and cultural history. It offers a valuable perspective on Native identity, advocacy, and representation, highlighting Sneve’s enduring impact on Native American literary and educational landscapes.

Sneve, Virginia Driving Hawk, 1933-
Vivian V. Volstorff Papers
UA 053.012 · Papers · 1921-1976

This collection is composed of material from Volstorff's personal and professional life. Folders includes personal records retained during her tenure as Dean of Women, records from her work with campus organizations, planning documents, and personal information and correspondence. Also included are Volstorff's many speeches and writings, including research and drafts for her book, Winds of Change.

Volstorff, Vivian V. (Vivian Virginia), 1907-2002
B01-F01 · Folder · 1885-1886
Part of J.M. Aldrich Diaries

This collection is composed of three diaries of J.M Aldrich during his tenure as a student at Dakota Agricultural College from 1885-1888. The diaries give an invaluable account on life as a student during the early years of the college. The diaries are separated into three volumes, one for each year Aldrich was a student at the college. Between 1930 and 1932, Aldrich made typewritten transcripts copied from his original diaries and included parenthetical comments for clarification. Each daily entry states the day and date, which are underlined, and relate Aldrich's daily activities. Most of the entries are trivial, recounting the activity of each day, but give an excellent portrayal of the atmosphere of Dakota Territory life in the 1880s. Topics included in the diaries range from accounts of his journeys between his home in Minnesota to Brookings to administrative upsets such as President George Lilley losing his position to Lewis McLouth.

B01-F02 · Folder · 1886-1887
Part of J.M. Aldrich Diaries

This collection is composed of three diaries of J.M Aldrich during his tenure as a student at Dakota Agricultural College from 1885-1888. The diaries give an invaluable account on life as a student during the early years of the college. The diaries are separated into three volumes, one for each year Aldrich was a student at the college. Between 1930 and 1932, Aldrich made typewritten transcripts copied from his original diaries and included parenthetical comments for clarification. Each daily entry states the day and date, which are underlined, and relate Aldrich's daily activities. Most of the entries are trivial, recounting the activity of each day, but give an excellent portrayal of the atmosphere of Dakota Territory life in the 1880s. Topics included in the diaries range from accounts of his journeys between his home in Minnesota to Brookings to administrative upsets such as President George Lilley losing his position to Lewis McLouth.

B01-F03 · Folder · 1887-1888
Part of J.M. Aldrich Diaries

This collection is composed of three diaries of J.M Aldrich during his tenure as a student at Dakota Agricultural College from 1885-1888. The diaries give an invaluable account on life as a student during the early years of the college. The diaries are separated into three volumes, one for each year Aldrich was a student at the college. Between 1930 and 1932, Aldrich made typewritten transcripts copied from his original diaries and included parenthetical comments for clarification. Each daily entry states the day and date, which are underlined, and relate Aldrich's daily activities. Most of the entries are trivial, recounting the activity of each day, but give an excellent portrayal of the atmosphere of Dakota Territory life in the 1880s. Topics included in the diaries range from accounts of his journeys between his home in Minnesota to Brookings to administrative upsets such as President George Lilley losing his position to Lewis McLouth.

Walk for Justice
B01_F01_010 · 1996-07-18
Part of Oak Lake Writers' Society Records

Preliminary poster for 'Walk for Justice,' a spiritual walk from Brookings, South Dakota to Canton, South Dakota honor of all women who have lost their lives to sexual violence. The walk ends at the Hiawatha Insane Asylum site in Canton.

MA74-0311 · 1970-12
Part of Frank E. Denholm Papers

William Dougherty, Richard Kneip's running mate in the 1970 election, isstanding next to a podium holding a framed picture of John Kennedy at a campaign event. The podium has a sign attached to the front saying Vote Dougherty Lt. Governor.

William H. Powers Papers
UA 053.009 · Papers · 1907-1950

This collection is composed mainly of Powers' notes and materials he wrote about his history of the college. For the most part, these are draft materials. Also included are some correspondence and some totally unrelated material. This material includes notes about the foundation of the Brookings Public Library, and notes on the World Disarmament Committee, including a petition against conscription signed by many university faculty.

Powers, William H. (William Howard) 1868-1936
World Trade Center model
MA74-0980 · undated
Part of Frank E. Denholm Papers

Congressman Frank Denholm (center to the right of the towers in a light color jacket) with a large group of people looking at a model of the World Trade Center building