Showing 2 results

The Matt Cecil Papers comprise photocopied Federal Bureau of Investigation files on hundreds of twentieth-century journalists, editors, broadcasters, publishers, news organizations, and related government officials, obtained by Matthew Cecil through the Freedom of Information and Privacy Acts. The materials document FBI monitoring, contacts, and public relations activities during the J. Edgar Hoover era and after. Inclusive dates span 1918 to 2000, with the bulk from the 1930s to the 1970s.

The collection consists of FBI case files, correspondence, memoranda, routing slips, teletype messages, surveillance reports, news releases, interviews, essays, investigations, clippings, and magazine tearsheets. Files are organized by creator or entity and include broadcasters, columnists, reporters, writers, cartoonists, editors, publishers, federal agents and government officials, news agencies, periodicals, and film, radio, and television programs. Examples include files on figures such as Steve Allen, Eric Sevareid, Dorothy Kilgallen, I. F. Stone, Westbrook Pegler, and Ed Sullivan; editors including James Wechsler and Freda Kirchwey; publishers including William Randolph Hearst and Katharine Graham; agencies and outlets such as Associated Press, United Press International, the Chicago Tribune, the New Republic, and the Nation; and entertainment properties and programs including the FBI radio series and television series and Hearst Metrotone News. Topic files include materials on public relations practitioners, academic and political figures, and organizations such as the Society of Former Special Agents. Documentation includes standard FBI redaction sheets inserted where pages were withheld under Title 5 U.S.C. 552 and 552a. Some photocopies are light or blurred as noted by FBI reproduction statements. A subset of folders is marked water damaged; papers are dry but warped and may be brittle.

The papers provide primary evidence of FBI interactions with and assessments of the news media, publishing, and entertainment industries, with emphasis on the Bureau’s public relations strategies during the Hoover era. The records support research on government and the press, media history, and the professional activities of individual journalists and editors. Topical coverage includes Communism, McCarthyism, organized crime, kidnapping, threats, the Kennedy assassination, and smear campaigns, offering source material for studies of twentieth-century American political culture, information control, and media influence.

The Vigil in South Dakota Records document the organization’s mission, goals, and advocacy related to issues of censorship in South Dakota, particularly involving public broadcasting. Materials in Box 1 include internal documents such as mission statements, strategic plans, and board meeting minutes for Educational Telecommunications. The collection also contains correspondence and newspaper articles concerning the censorship of the television program Portrait of a Marriage and broader controversies in South Dakota Public Broadcasting. Included are responses and publications from allied organizations—such as People for the American Way, Friends of Public Broadcasting, and the Sioux Empire Gay/Lesbian Coalition—highlighting community and organizational perspectives on free speech, the arts, and representation in media. Legal and administrative records, including nonprofit reports and incorporation documents, provide insight into the group’s structure and advocacy efforts.

This collection is valuable for researchers studying freedom of expression, LGBTQ+ representation in media, and grassroots activism in South Dakota during periods of public debate over censorship. It documents both local and national responses to broadcast content controversies and highlights the advocacy strategies employed by organizations working to defend civil liberties in public media.