Showing 96 results

• 2 - VHS Videocassettes

• Related to civic participation in Boise Idaho, Eugene McCarthy presidential campaign, Sewrey Colloquium

• Women Houses and Homes, Page 18

• 2 VHS videocassettes

• Talk at the SDSU Writer's Conference

• 2 - VHS Videocassettes

• 1 VHS videocassette

• 54 color slides

• East Lyme Public Schools
• New London High School
• University of Connecticut, Bachelor of Arts with highest honors
• University of New Mexico, Master of Arts
• Phi Kappa Phi membership

• Material used in Stuart's courses
• 286 color slides

• 2 VHS videocassettes

Vertical and horizontal video for orchestra pit row of monitors and stage column of monitors

• 1 - 5.25 inch floppy disk

• 53 color slides
• 8 commercial color slides
• 19 black-and-white negatives

• 9 color slides

• 7 black-and-white photographs
• 16 color slides

• 1 VHS videocassette

• 58 black-and-white photographs and negatives
• 6 color photographs
• 3 contact sheets with negatives
• 4 postcards

• 1 black-and-white photographs [matted]
• Signe Stuart working on paintings related to Badlands installation at Doner Auditorium

• 39 color slides

• 57 color slides

• 2 VHS videocassettes

• Card stock with black-and-white image of Badlands and "Peace" on back

• 3 audiocassettes

• 2 VHS videocassettes

• Writings by Joseph Stuart
• Articles related to mentors Robert Mallary and Ad Reinhardt

• Manuscript

• Roswell Museum and Art Center Quarterly Bulletin, Vol. 10, no. 3, Fall 1961

• The Idaho Artist, Winter-Spring, 1968

• Roswell Museum and Art Center Quarterly Bulletin, Vol. 8, no. 4, Fall 1960

• Brookings Register, April 13, 1987

• The Boise Art Association Bulletin, vol. 5, no. 3, Winter 1967

• Pacific Arts Association Review, 1962 Conference, Page 8-11

• South Dakot Art Museum
• Boise Gallery of Art
• Salt Lake Art Center
• University of Oregon Museum of Art
• Roswell Museum and Art Center
• Joseph Stuart Graduate School incluences - Robert Mallary, Raymond Johnson, and Ad Reinhardt

• 7 black-and-white photographs of art installation

• Exhibition booklet, correspondence

• Resource Center catalogs
• Included Joseph Stuart profile

• 1 color polaroid
• Correspondence

• 1 color photograph
• 2 black-annd-white photographs
• Correspondence, clippings

• Clippings,
• Exhibition catalogs

• Exhibition catalogs

• Clippings, correspondence, congratulation cards

• 106 color photographs
• 1 black-and-white photograph

• clippings, plaque, guest books
• 1 VHS videocassette

• Bainbridge Bunting
• Paulette Beall
• Edward Kienholz
• Jack Eyerly
• Lez and Eleanor Haas
• Elain deKoonry
• Cynthis Snow
• Billy Apple

Corliss Johnson participated in on the the Badlands Intermedia performances with improvised music.

• 2 VHSs videocassettes
• South Dakota Art Museum short interview with Joe Stuart by Wayne Knudsen
• Before retirement interview

• Bachelor of Fine Arts in Art, University of New Mexico
• Master of Arts, University of New Mexico

Publication featuring art show on which Stuart as a juror.

59 color slides - Stuart Resume: selected acquisitions, selected exhibitions, South Dakota Memorial Art Center description of facilities

• 1 black-and-white photograph
• 1 color slide

• Executive Proclamation - Spitznagel Day - 1990
• South Dakota Memorial Art Center - Artistic Achievement Citation - 1985

• Books of poetry - Larry Goodell
• Joe made the cover for DUENDE, Signe did the other covers

• Correspondence, clippings
• 11 black-and-white photographs
• 1 color photograph

Joseph Stuart used this book on ethics in his museum work.

• Exhibition catalogs

The Joseph and Signe Stuart Papers document the professional careers, teaching activities, artistic production, and institutional service of Joseph Stuart and Signe Stuart from 1951 to 2020. The collection includes lecture notes, course materials, academic records, correspondence, writings, exhibition catalogs, interviews, awards, clippings, and retirement materials. Records related to Joseph Stuart reflect his work in art history instruction, museum administration, curatorial activities, and service with organizations including the South Dakota Art Museum, South Dakota Arts Council, South Dakota Humanities Council, and national museum associations. His files include lecture notes for courses in world art, modern art, and U.S. art and architecture; writings on art and public policy; exhibition documentation; correspondence with artists and mentors; and materials associated with his retirement from the South Dakota Art Museum in 1993.

Materials related to Signe Stuart document her artistic practice, teaching, exhibitions, and performance work. The collection contains design and color theory course materials, exhibition catalogs spanning several decades, clippings, writings, proposals, interviews, and documentation of civic engagement. A significant portion of the collection pertains to the 1988–1990 Badlands Intermedia Performance project and includes grant proposals, budgets, scripts, sketches, music scores, stage lighting plans, posters, photographs, slides, negatives, video recordings, and raw footage. Additional materials include production slides, research proposals, retrospective interviews, and writings on art and artistic perspective.

Together, the papers provide documentation of art education, museum practice, exhibition activity, interdisciplinary performance, and arts administration in South Dakota and the broader region during the second half of the twentieth century. The collection reflects academic instruction, institutional development, artistic production, and community engagement within the visual arts.