Representative Ben Reifel is with other members of the 1968 Democratic National Congressional Committee
The James Pollock Papers document the life, art, and contributions of South Dakota artist James Pollock, with a particular focus on his involvement in the U.S. Army's Combat Art Teams (CAT) and his artistic works related to the Vietnam War. The collection encompasses a wide range of materials, including notes, interviews, reports, articles, photographs, and sketches, offering a detailed look at Pollock's creative process, his military experiences, and his artistic evolution both during and after his service. A central component of the collection highlights Pollock's role in the Combat Art Teams, which aimed to capture the realities of war through visual art. His contributions span various phases of the Vietnam conflict and also includes material of other Combat Artist Team military assignments in locations such as Korea, Thailand, Germany, Alaska, and Panama.
The collection features numerous original ink sketches that showcase Pollock's distinctive style and his evolving artistic vision over the years. These works cover a broad range of subjects, from wildlife and landscapes to human figures, frequently drawing inspiration from his South Dakota heritage. In addition to his war-related art, Pollock's work has been exhibited in venues such as the Indianapolis Exhibit and the Robinson Museum in Pierre, South Dakota. Articles and press releases from publications like South Dakota Magazine and Vietnam Magazine document his artistic impact, highlighting the significance of his contributions to both military and civilian audiences.
Correspondence within the collection reveals Pollock's interactions with a diverse group of individuals, including political figures, fellow artists, military personnel, and veterans. These letters provide valuable insight into the professional and cultural networks that supported Pollock's artistic endeavors.
Beyond his military and war-related art, the collection includes Pollock's personal projects, such as his illustrations for Blood on the Killdeer by Dana Close Jennings, as well as his involvement in South Dakota's Centennial and Bicentennial celebrations. His engagement with the public is further reflected in materials related to his participation in art forums for veterans. The collection also documents Pollock's media presence, including his web site, articles, and video content, which showcase his outreach efforts to veterans and the broader public.
Overall, the James Pollock Papers offer a comprehensive portrait of an artist whose work bridges military history, cultural heritage, and personal expression, underscoring the enduring impact of his artistic contributions.
Pollock, James, 1943-The Crozier Family Papers documents family history, educational pursuits, crafting expertise, and community involvement spanning multiple generations. The collection records Caryl's life and career, encompassing educational materials from high school and college, extensive correspondence with family and friends, journals and writings detailing life stories and memories, numerous craft and sewing projects, 4-H achievements, recipes, and homemaking activities. It also includes records of her participation in book clubs and other social groups, teaching materials, family and personal photographs, scrapbooks, photo albums, and memorabilia.
Additionally, the collection features family heirlooms such as clothing, quilts, and other crafted items. Files related to Caryl and her husband Edward cover travel journals, correspondence with family and friends, various home and craft projects, wedding and honeymoon details, and their writings. The collection also contains extensive genealogical records, primarily focusing on the Croziers, Kinkners, Ericksons, Joneses, and other extended family members. Researchers will find biographical information, correspondences, genealogical records, and historical notes about Beresford, South Dakota, as well as collected recipes, patterns, and club activities related to Caryl's mother, Elvera Kinkner.
Many files include commercial patterns annotated by Caryl, indicating the recipients of the clothing and images of the finished garments. The collection also features samples of sewing projects Caryl completed during college. Some materials contain stick pins and needles; caution is advised when handling these items.
This collection consists of administrative, exhibition, and support organization records for the South Dakota Art Museum from its founding through the late 20th and early 21st centuries. The materials document the museum’s internal operations, public programming, physical development, and community engagement, particularly under the leadership of founding director Joseph M. Stuart and subsequent administrators.
Director’s records include materials related to the planning, construction, and expansion of the museum building, including architectural plans, specifications, fundraising materials, and correspondence surrounding the original facility (dedicated in 1970) and later additions in the 1990s. Fundraising records primarily document the Visions for the Future campaign and include profiles, strategies, correspondence, and Board of Trustees involvement. Financial documents include operating budgets, accounting reports, museum shop inventories, and grant records.
Exhibition records constitute a major portion of the collection and comprehensively document the planning and execution of exhibitions from 1970 through the early 2000s. Included are exhibition catalogues, promotional materials, artist correspondence, insurance and shipping documents, photographs, slides, press clippings, and exhibition planning documents such as object labels and installation instructions. The exhibitions span a wide range of themes, styles, and artists, including both national and international figures, as well as a strong focus on South Dakota artists and Native American art. Highlights include recurring biennials, traveling exhibitions, and retrospectives of significant regional artists such as Harvey Dunn and Oscar Howe.
Board of Trustees records include meeting agendas and minutes, member biographies, correspondence, reports, committee files, by-laws, ethics policies, and orientation materials. These materials document the museum’s governance and strategic planning over several decades.
The Guild records reflect the activities of the South Dakota Art Museum Guild and include by-laws, handbooks, training materials for docents, correspondence, promotional documents, and event planning records. These materials emphasize the Guild's volunteer and educational role in museum outreach and support.
Other materials include accreditation documentation submitted to the American Association of Museums, annual reports, publications, event planning files, and materials related to special initiatives and commemorative events. The collection also includes significant documentation on the museum’s permanent collections, particularly works by Harvey Dunn, Oscar Howe, and the Marghab Linen Collection.
This collection offers documentation of the development, programming, and administration of the South Dakota Art Museum, the first museum in South Dakota to receive accreditation from the American Association of Museums. It illustrates the museum’s growth from a state-supported regional institution to a key center for visual arts in the Northern Plains. The records reveal the museum's emphasis on South Dakota’s artistic heritage, particularly through its stewardship of landmark collections and support of Native American and regional artists. The materials also highlight the museum’s role in public education and cultural outreach through exhibitions, publications, events, and docent programs.
South Dakota Art MuseumThis collection documents the programming, outreach, publications, and interpretive efforts of the South Dakota Agricultural Heritage Museum. Materials date primarily from the late 20th and early 21st centuries and include annual reports, marketing materials, newsletters, exhibit documentation, event programs, workshop materials, and promotional items. The records reflect the museum’s mission to preserve and interpret the history of agriculture and rural life in South Dakota from 1860 to the present.
Included are brochures, flyers, calendars, postcards, and posters related to museum events and exhibits. Exhibits represented in the records include: Dreams Fulfilled and Dreams Forgotten, Groundbreakers, Between Fences, South Dakota Made, FarmHER South Dakota, and several others focusing on agricultural science, machinery, and rural culture. Programs and lectures include the Brown Bag Series, the N.E. Hansen Lecture Series, author events, historical presentations, musical performances, and hands-on workshops such as homebrewing, Dutch oven cooking, scrapbooking, and embroidery preservation.
A variety of outreach efforts are also documented, including direct mail campaigns, community events, holiday promotions, and museum store marketing. Newsletters from both the museum and the Friends of the Museum group offer insight into ongoing operations, donor engagement, and institutional developments. Unique artifacts such as souvenir books, trade cards, historical postcards, and commemorative publications further support the museum’s mission to preserve agricultural heritage.
These records are a resource for their detailed documentation of public history efforts relating to South Dakota agriculture, material culture, and rural life. They provide insight into how a university-affiliated museum engages with diverse audiences through exhibitions, educational programming, publications, and outreach. The collection also reflects broader themes in public history, museology, and rural studies.
South Dakota Agricultural Heritage Museumdirect mail
- Program October 30, 2002, Joanie guest Hosts with Rick
The Hilton M. Briggs Library Records document the administration, operations, and development of the library at South Dakota State University. The collection includes administrative files, cataloging records, collection development files, committee minutes, financial documents, library serials records, off-campus relations, reports, publications, newsletters, photographs, policies, and materials related to circulation, interlibrary loan, reserves, acquisitions, bindery, and special events. Committee records cover groups such as the Social Committee, Publicity Committee, Collections and Connections Committee, Exhibits and Arts Committee, Staff Development Committee, University Library Committee, and Faculty and Staff Library Committees. Materials span library services, staffing, budgeting, technology initiatives, outreach, strategic planning, and special collections management.
This collection odocuments the growth and transformation of Hilton M. Briggs Library from its dedication in 1977 through subsequent decades. It reflects the library’s evolving role in supporting academic programs, research, outreach, and technology integration. The records illustrate the library’s response to campus needs, statewide collaborations, and national trends in academic librarianship, making it a valuable resource for understanding the development of higher education libraries, library administration, and information services in South Dakota.
Hilton M. Briggs LibraryThe Nursing Records at South Dakota State University document the development, administration, academic programs, outreach, accreditation, and activities of the College of Nursing from its early years through the present. The collection includes reports, annual and biennial reviews, catalogs, newsletters, bulletins, faculty and student handbooks, and policy guidelines. It covers curriculum materials, course outlines, syllabi, and student records across various programs, including Clinical Nursing, General Nursing, Public Health Nursing, Rural Nursing, and the RN Upward Mobility Program. Accreditation files include self-studies, evaluation reports, and materials related to site visits and National League for Nursing standards. The records also contain legal agreements and contracts with clinical sites, meeting minutes from committees and faculty, research studies, surveys, grant proposals, conference proceedings, photographs, and scrapbooks documenting ceremonies, faculty, students, and alumni activities.
This collection documents nursing education at SDSU, reflecting statewide and national developments in nursing training, health care delivery, and professional standards. It provides insight into the evolution of nursing curricula, outreach to underserved and rural populations (including Native American communities), accreditation history, and faculty and student life. The records are a valuable resource for researchers studying the history of nursing education, public health initiatives, women’s education, and the university’s impact on South Dakota’s health care workforce and infrastructure.
South Dakota State University. College of Nursing2023 January 19, 21 vs. Omaha, vs. Denver
2023 February 2, 4 vs. North Dakota, vs. North Dakota State
2023 February 11 vs. South Dakota
Postcard announcement
v. 9 issue 1 - 2 copies
Looking BackL Lincoln Memorial Library
The Jackrabbit Athletics Records document the history, administration, and activities of South Dakota State University's athletics programs. The materials cover a wide range of sports and administrative functions from the early years of athletic participation to the university's transition to NCAA Division I status.
The collection includes administrative files related to academic advising, compliance, development, equipment, facilities, marketing and promotion, operations, the Jackrabbit Sports Network, and the ticket office. These are represented through annual reports, brochures, event programs, handbooks, newsletters, photographs, mascot design materials, and promotional mailers. Physical artifacts include banners, jerseys, t-shirts, and caps.
Records of the Athletics Committee consist of extensive meeting minutes and budget files. These documents provide insight into the financial and policy decisions guiding SDSU athletics.
Sport-specific files include materials on baseball, men's and women's basketball, cross country, equestrian, football, gymnastics, rodeo, soccer, swimming and diving, tennis, track and field, volleyball, and wrestling. These records contain media guides, fact books, programs, clippings, record books, and photographs. Cross country and track and field are especially well represented, with detailed documentation of results, workout plans, training strategies, and performance research.
The publications series features long-running serials such as the Rabbit Report (1978 to 2014) and The Bum (1956 to 2017). While incomplete, these publications offer a chronological narrative of SDSU athletics, including coverage of team performance, individual athletes, and university sports culture.
Other notable contents include materials related to special events such as the Beef Bowl, Festival of Champions, Jackrabbit Stampede Rodeo, and Jackrabbit Jamboree. There are also records documenting strategic planning for the transition to Division I, including the Division I Study and related correspondence.
The collection also reflects broader aspects of campus athletics, such as intramural sports, recreational programming, student wellness, and athlete recognition.
This collection provides a view of the development of collegiate athletics at South Dakota State University. It is a valuable resource for researchers studying the history of intercollegiate sports, athletic program administration, the student-athlete experience, gender in sports, sports marketing, and the evolution of athletics at land-grant institutions.
South Dakota State University. Jackrabbit AthleticsLooking Back: The Coughlin Campanile
The South Dakota State University Foundation Records document the fundraising, donor engagement, and promotional activities of the SDSU Foundation from the mid-20th century through the early 21st century. The collection includes financial statements, annual reports, campaign case statements, feasibility studies, newsletters, event invitations, donor recognition materials, and internal publications.
Fundraising campaigns such as It Starts with State, Visions for the Future, Impact Greatness, and Return to Glory are well represented, along with fundraising efforts for specific university programs and facilities, including the Performing Arts Center, Solberg Hall, and the Pride of the Dakotas marching band. Researchers will also find a variety of materials related to alumni and donor engagement, including Foundation Focus, Honor Roll of Contributors, Fellows Update, and Stately Review. Administrative materials include Council of Trustees directories, strategic planning reports, workshop documentation, and investment performance summaries. Promotional content such as flyers, brochures, direct mail pieces, and event programs are included, as well as personal touches like holiday greetings and celebratory publications. A notable item is a historical reflection authored by Keith Jensen on the Foundation’s development at its 50-year mark.
This collection illustrates how the SDSU Foundation has helped shape the university’s academic, physical, and cultural environment through sustained fundraising and relationship-building efforts. Scholars examining the history of institutional advancement, alumni relations, and campaign strategy will find rich documentation of changing practices and priorities over time. The materials also reflect broader regional and national trends in nonprofit management, educational funding, and the role of community support in public university development.
South Dakota State University Foundation2023 January 5 vs. North Dakota State, 2023 January 7 vs. North Dakota
2023 January 14 vs. South Dakota
2023 January 26 vs. St. Thomas, 2023 January 28 vs. Western Illinois
2023 February 16 vs. Denver - Pink Game, 2023 February 18 vs. Omaha - Senior Day
Plymouth, Minnesota
2023 September 7
v. 16 issue 2 Summer 2023 (1 copy)
This artificial collection documents Hobo Day, the homecoming celebration of South Dakota State University, through a wide range of published and ephemeral materials dating from 1912 to 2023, with the bulk of the material from the mid twentieth century through the early twenty first century. The collection consists of newspapers, newsletters, correspondence, news releases, souvenir programs, posters, invitations, handbooks, certificates, placemats, and extensive ephemera such as buttons, bumper stickers, hats, pennants, a crown, license plates, and apparel. Also included is a substantial photographic component documenting parades, football games, royalty, floats, student activities, visiting dignitaries, alumni events, and associated traditions across multiple decades. Materials originate from campus offices, student organizations, community sources, donors, and later retrospective collecting efforts. Items are added to the collection as materials are discovered or donated, reflecting its ongoing and accumulative nature.
This collection documents the development and continuity of Hobo Day as a central tradition in the history of South Dakota State University. The materials document changes in student culture, athletics, campus traditions, alumni engagement, and public representation of the university over more than a century. The long run of buttons, ephemera, and photographs offers a detailed chronological record of themes, slogans, design styles, and institutional priorities associated with homecoming celebrations. The collection supports research in university history, student life, regional culture, and commemorative practices at land grant institutions.
South Dakota State University. Hobo DaySouth Dakota State University was established in 1881 as Dakota Agricultural College, with its first permanent building, later known as Old Central, completed in 1883. As the institution expanded in the early twentieth century, additional academic and administrative structures were constructed, including Lincoln Hall in 1927 and the Coughlin Campanile in 1929, which became a defining architectural landmark of the campus. Over subsequent decades, the university added facilities to support engineering, agriculture, research, student life, and athletics, reflecting steady institutional growth from a land grant college to a comprehensive university. Historic buildings such as Old Central, Lincoln Hall, and the Coughlin Campanile stand alongside later additions including research laboratories, residence halls, and athletic venues, illustrating successive phases of campus development.
This artificial collection consists of assembled materials related to the buildings and landmarks of South Dakota State University. Developed over time from departmental files, staff contributions, and individual donations rather than through a formal records transfer process, the collection varies in scope and completeness. Materials span from the late nineteenth century to the present and document construction, renovation, maintenance, and commemorative activities associated with campus structures. Records include architectural plans, capital outlay reports, budget data, blueprints, specifications, maintenance files, dedication programs, and anniversary materials. Buildings represented include academic halls, agricultural and research facilities, libraries, residence halls, student unions, athletic venues, and landmark structures. The collection documents the physical growth of the campus and the evolution of its infrastructure across multiple generations.
South Dakota State Universityincludes fabric samples
Honoring Erica and Shane DeBoer, Dr. Marlene (Wellman) Schmid, and Maxine B. Wilcox
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2022 December 19
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GoJacks.comSouth Dakota State University Jackrabbits Athletics website Wrestling GoJacks.com
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Willmar, Minnesota
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2022 January 2
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