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Back of photo of Edgar S. McFadden at a flax nursery in Kenedy, Texas. Includes handwritten notes.

Edgar S. McFadden photograph of a flax nursery in Kenedy, Texas.

Joseph Marshall speaking at poetry reading at a South Dakota Humanities Council event.

Elizabeth Cook-Lynn speaking at poetry reading at a South Dakota Humanities Council event.

Roberta Hill speaking at poetry reading at a South Dakota Humanities Council event.

Students and mentors discussing material around a table at the Oak Lake Writers' retreat.

Group of writers at the Oak Lake Writers' retreat that includes Charles Woodard and Elizabeth Cook-Lynn (front row).

The Linda Hall Daschle Collection is composed of records created and collected by Linda Daschle during her career in aviation and her husband's career in the U.S. Congress. Included are awards and recognition that she received related to her work for various private and federal aviation associations and offices. Her collection also contains materials such as correspondence, press clips, and audio-visual recordings created during her career in the Federal Aviation Administration. Of note are letters from President Clinton and Vice President Gore, and remarks by Gore at the International Conference on Aviation Safety and Security in 1997.

Collected materials such as correspondence, trip schedules, weekly reports, and clippings from Tom Daschle's political career are included, as well as numerous audio-visual recordings of his speeches, interviews, and other activities. The remainder of the collection is comprised of plans, materials, and clippings of Tom Daschle's campaigns for the U.S. House of Representatives and the U.S. Senate, particularly the races against Clint Roberts and James Abdnor.

This collection contains a variety of materials documenting historical, personal, and professional narratives. It includes biographical sketches, photographs, clippings, collected scripts, writings spanning several decades, and an M.S. thesis. A significant portion is dedicated to a World War II trip, featuring correspondence, diaries, interviews, maps, speeches, research notes, and collected materials. Other highlights include tributes, miscellaneous items, and materials related to agriculture and economic studies. The collection offers a comprehensive view of various topics and periods, emphasizing key historical events and personal experiences.

The Ben Reifel Papers document the career of Ben Reifel, the first Lakota Sioux to serve in the U.S. Congress, highlighting his work as a legislator, his tenure with the Bureau of Indian Affairs, and his advocacy for Native American communities. The collection includes correspondence, photographs, audiovisual materials, memorabilia, and scrapbooks that provide insight into his contributions to public service and Native American affairs. As a pioneering Native American leader, Reifel played a key role in shaping policies related to education, healthcare, and economic development. This collection serves as a valuable resource for understanding his lasting impact on indigenous representation in government and South Dakota’s political landscape.
The activities series contains records of Reifel's involvement with various organizations and initiatives, including the Boy Scouts of America, the National Park Service, and the Dakota Territory Citizen Certificates project. It also covers his efforts in Native American affairs, congressional trips, and public events. The awards and honors section features certificates, plaques, medals, and other recognitions Reifel received throughout his career, including awards from the Boy Scouts of America, Sioux tribes, and South Dakota State University.
The Bureau of Indian Affairs materials include correspondence, newsletters, and newspaper clippings that document Reifel’s work in advancing Native American education, healthcare, and policy. The campaign series provides an in-depth look at his political career through financial records, advertisements, schedules, and materials related to the South Dakota Republican Party platforms.
Correspondence within the collection spans from Reifel’s tenure with the BIA through his congressional career, featuring letters exchanged with prominent political figures such as Barry Goldwater, Lyndon B. Johnson, Richard Nixon, and George McGovern. The family history section contains biographical materials, educational records, military service documents, and personal writings that provide insight into his early life and career development.
Memorabilia in the collection includes campaign materials, presidential inauguration items, and personal artifacts such as a U.S. Annotated Code book with Reifel’s name embossed on the cover. The photographs offer a visual record of his political career, community interactions, travels, and personal life, particularly highlighting his work in Congress and his connections with Native American communities.
The audiovisual materials consist of campaign advertisements, legislative discussions, interviews, and speeches on healthcare, agriculture, and public service. These recordings also include public appearances and fundraising events. Scrapbooks primarily contain newspaper clippings and campaign materials that document Reifel’s public image and key political milestones.
Collected materials include books, periodicals, programs, and poetry reflecting Reifel’s diverse interests and professional pursuits. His speeches and writings consist of transcripts and drafts of addresses given at events such as Memorial Day ceremonies and commencement exercises.
Overall, the Ben Reifel Collection provides a comprehensive view of his contributions to public service, Native American advocacy, and South Dakota’s civic and political landscape. It serves as a valuable resource for researchers seeking to understand his legislative impact, community engagement, and personal legacy.

The Virginia Driving Hawk Sneve Papers document the literary career, research, and advo-cacy of the acclaimed Lakota writer, educator, and historian. Spanning from the 1960s to the 2020s, the collection includes manuscripts, correspondence, research materials, and pub-lished works that reflect her dedication to Native American storytelling and cultural preservation. It offers a comprehensive look at her contributions to literature, education, and Indige-nous representation.

The Creative Writing series contains fiction and non-fiction works, including Completing the Circle, The Medicine Bag, Dancing Teepees, Standing Bear of the Ponca, and Sioux Women. Each work is accompanied by manuscripts, clippings, correspondence, research notes, print-er’s galleys, proofs, reviews, and scripts. Many manuscripts include editorial annotations and suggested revisions. The correspondence primarily consists of letters between Sneve and publishers, as well as heartfelt messages from schoolchildren, some with drawings, thanking her for her books and school visits. Research materials include notes, collected documents, and recorded interviews. A video adaptation of High Elk’s Treasure is also part of the collection.

The General series includes awards, speaking engagements, clippings, interviews, journals, and research materials. Correspondence features exchanges with publishing houses, Sena-tor Larry Pressler, and fellow writers such as Bob Karolevitz and Audrae Visser. Notably, the series contains an audio reel of an interview Sneve conducted with Harold Shunk, a Bureau of Indian Affairs superintendent. Other items include a 1901 class photograph and various teaching aids.

The Other Writings series highlights Sneve’s contributions beyond creative literature, includ-ing published articles, scripts for a South Dakota Public Radio series, Christian education re-sources for the Episcopal Church Center, newspaper editorials, studies for the Flandreau In-dian School, and a contribution to On the Wings of Peace, a compilation benefiting world peace organizations.

This collection serves as a significant resource for researchers, scholars, and educators stud-ying Indigenous literature, storytelling, and cultural history. It offers a valuable perspective on Native identity, advocacy, and representation, highlighting Sneve’s enduring impact on Native American literary and educational landscapes.

The Vera Way Marghab Papers is a comprehensive archive documenting the life and work of a woman who played a significant role in the luxury textile industry. The collection offers insight into her personal journey, from her early years in South Dakota to her time as a piano student in New York City, as well as her relationship with Emile Marghab through extensive correspondence. While much of the material is centered on her personal life, the collection also reflects her role in the linen industry as the driving force behind Marghab, Ltd. and Emile Marghab, Inc. The records highlight her meticulous nature, as she preserved extensive documentation on both her personal and professional endeavors. Given the interwoven nature of her life and career, the materials are arranged into distinct series that provide a structured approach to understanding her legacy.

The Business Series encompasses all aspects of the Marghab enterprises, both in New York and Madeira. It includes materials on the founding of the company, capturing the vision and strategy behind Emile and Vera’s business model, as well as its eventual dissolution. Correspondence reflects their relationships with artisans, business partners, and shop managers, while records on design illustrate Vera’s influence in maintaining the highest standards of quality. Trademark and copyright documents, including coded correspondence aimed at protecting proprietary designs, shed light on the competitive nature of the textile industry. One of the aspects of this series is the material related to the Mayflower cloth, a specially designed tablecloth for the 1957 Mayflower II voyage, which later became an exhibition piece at the World’s Fair in Australia. Administrative records from the New York and Madeira operations provide insight into the governance and structure of the business, including shareholder meetings, factory logistics, and high-profile engagements with diplomats and the U.S. Navy. Employee records detail the hiring process, disputes, and pension plans, while financial records illustrate the company’s fiscal health, including instances of embezzlement and tax matters. The marketing strategy developed by Vera is well-documented, with strict guidelines for Marghab Shops, controlled advertising, and policies that set the company apart from competitors. Records on the shops provide a glimpse into Vera’s selective approach, including her direct correspondence with store managers and evaluations of potential retail locations.

The Personal Series reflects Vera’s multifaceted life beyond her business endeavors. Materials include portraits and fabric samples that visually represent her legacy. Her commitment to philanthropy is evident in records of charitable donations and correspondence with organizations she supported. A large portion of the series consists of clippings and collected materials, which demonstrate her curiosity and engagement with various subjects. Personal correspondence includes letters to and from family, friends, and colleagues, some of which intersect with business matters. Financial records cover her personal wealth management, including investments, estate planning, and legal affairs. The series also includes materials on her life in Madeira, providing additional context to her time spent there beyond the confines of business. The establishment of the Marghab Gallery at the South Dakota Art Museum is well-documented, capturing her dedication to preserving the artistry of Marghab linens. Music played an important role in Vera’s early life, and materials on her musical education and performances offer insight into this passion. Personal writings, including reflections and philosophical musings, provide a more intimate look at her character and outlook on life.

Significant figures in Vera’s life are highlighted through correspondence and clippings, most notably her husband, Emile, and her immediate family. Her engagement with politics is documented through materials on political figures and organizations of interest to her. Rare book records illustrate her scholarly interests and her contributions to South Dakota State University’s library. Recognition for her contributions to the textile industry and beyond is captured in awards, articles, and documentation of a Marghab video project. Social engagements and affiliations with arts organizations further reflect her cultural involvement. Her extensive travels, both domestic and international, are documented in travel records, revealing her connections to a broader global network. Her deep ties to Watertown, South Dakota, are evident in materials related to her home, Wayland, and her properties on Lake Kampeska, as well as documentation on community events and restoration projects.

This collection is of exceptional significance, offering researchers a rich narrative of a woman who was both a cultural tastemaker and a shrewd business leader. It captures the evolution of a company that set new standards in luxury linens, the meticulous approach that defined its success, and the challenges it faced in an ever-changing economic and political landscape. Equally important, it provides a deeply personal portrait of Vera Way Marghab, allowing scholars to explore the intersections of entrepreneurship, artistry, and personal ambition. The collection stands as a valuable resource for those interested in business history, women’s history, textile design, and the legacy of craftsmanship that Marghab linens represent.

Consists mainly of minutes and agendas from meetings of the SDCIA, along with the programs, letters, reports and pamphlets that were dealt with in each meeting. The minutes include minutes from the annual meetings, board of directors meetings, committee meetings and district meetings. There are programs for the annual meetings, crop shows and banquets. The letters include correspondence with members of the Crop Improvement Associations of other states and with the national Association of Official Seed Certifying Agencies, as well as between SDCIA members. The reports include financial reports and statements, and also reports on the activities of the organization. The pamphlets include the SDCIA newsletter (The Crop Improvement Reporter), CIA newsletters from the surrounding states, booklets of weed laws, and seed certification manuals. In addition there is a history article that was prepared for the agency’s 75th anniversary in the year 2000.

The collection also contains photographs. These are primarily photos of the various crop shows and field days held by the SDCIA.

The papers of Robert F. Karolevitz (1922-) span the years 1833-2005, with the bulk of the material dating from 1910-1999. The collection is composed personal, professional, and research files, as well as photographs.

The personal files span the years 1894-2005, with the bulk of the material dating from 1968-1981. The bulk of this series is composed of material relating to personal areas of Karolevitz's life not directly related with his professional writing career. The exception to this would be the correspondence series which is composed of material related to both his professional and personal life and includes correspondence with family members and friends. Materials include audio visual material, awards and recognition, clubs and organizations, committees and boards, correspondence, education, ephemera and collected materials, family, financial and legal documents, and material related to Karolevitz’s other interests and activities.

The professional files span the years 1947-2002, with the bulk of the material dating from 1960-1969. The series consists of material created by Karolevitz during his career. Included are articles that were published in various periodicals, manuscripts and other material related to books written by Karolevitz, columns written for several different newspapers, commercial writing and advertising material, political ghostwriting material and speech files. Also included is material related to publishers, other writings, and other material related to writings, such as layout material, rejection slips, and catalogs that listed his books for sale.

The research files span the years 1833-2005, with the bulk of the material dating from 1910-1999. The series is composed of material collected by Karolevitz relating either directly to research for books and articles that he wrote or material that was of interest to him. Material consists mainly of clippings of newspapers and magazine articles, publications, booklets, brochures, pamphlets, photographs and illustrations, correspondence, notes written by Karolevitz and other miscellaneous collected material. Many folders contain only one or a few items.

The photographs are composed of images Karolevitz collected and used in his many publications. Included are images related to automobiles, journalism, medicine, religion, people, and places.

The collection is composed of manuscripts, correspondence, galley proofs, research, books and publications related to her published works of fiction and nonfiction.
The general material is composed of Norris' juvenilia from Bennington College, instructors' mid-term and final reports of her course work from college, and biographies and interviews of Norris conducted by various media organizations. Also included is a collection of notebooks from the early 1970's to 2009. These notebooks are spiral bound and appear to be daily journals with notes and drafts of poems and essays. They also contain postcards, clippings, business cards, prayer cards, photographs, recipes, etc. Of note is the manuscript for “Elizabeth Kray’s Letters, Memos, and Notes to Marie Bullock: Two Great Ladies of American Poetry”. A 1937 edition of “Conversation at Midnight” by Edna St. Vincent Millay and signed by John H. Norris is also included.
Poetry is composed of Norris' poetry in anthologies, books, catalogs, chapbooks, contributions, and periodicals. These publications all include Norris' poetry, and some also include works by her husband, David Dwyer, (this will be noted on the front of the folder).
Nonfiction books consist of draft and annotated manuscript pages, galley proofs, cover art and typeface layout, book jackets, book notes, correspondence, research, reviews, audio books, international editions, promotional material, book tour information, advance proofs, hard cover and paperback books. Material varies with each book title. This material is arranged alphabetically by publication title.
Other writings consist mainly of essays, reviews, and sermons published in journals, anthologies, books, textbooks, etc. Also included are scripture reflections for daily devotions, Afterword’s, Forewords, Introductions, Prefaces, and Symposia to which Norris has contributed.
Works mentioning Norris are also included. They are composed of publications with articles mention Kathleen Norris.

The collection consists of materials relating to his work with research and production of small grains such as wheat, oats, and flax, and in particular the development of Hope Wheat. In addition, the collection contains biographical information about McFadden and his writings and speeches.

The materials in this collection were gathered by various officers and members of South Dakota State Poetry Society. The collection consists of historical information, board meeting notes and minutes, correspondence, publications by the organization, publications by South Dakota poets, and the 2015 Poet Laureate recommendation to the Governor.

The Frank E. Denholm Papers consist mostly of materials generated during the time he served as the representative to South Dakota’s First Congressional District, from 1971 to 1975. These materials document his work for rural America, particularly his effort to reinstate the Rural Electrification Act and numerous legislation regarding agriculture, rural water, and rural development. Press releases and newspaper clippings about his activities in Congress can be found in the papers. The collection also includes scrapbooks and memorabilia about his campaigns for Congress. In addition, there are several files of correspondence, some of which was with members of Congress and other notable people such as George McGovern and Richard Kneip. The collection includes nearly 1,500 photographs and slides, most of which relate to his campaigns for Congress. There are reel-to-reel audio recordings and video recordings on 2-inch quad video tape that consist of campaign advertisements and his work in Congress. The collection also documents Denholm’s career as a sheriff, auctioneer, F.B.I. agent, and lawyer.

The papers also contain documents relating to Frank Denholm’s wife, Mildred Niehaus Denholm. Mrs. Denholm was born May 9, 1927 to Frank F. and Elizabeth C. (Schuring) Niehaus from Andover, South Dakota. She married Frank Denholm on June 12, 1950 in Webster, South Dakota. She attended Northern State Teachers College in Aberdeen, SD and taught in rural schools. Mrs. Denholm also went to the Aberdeen School of Business, the Strayer Business College in Washington, D.C., and the University of Utah where she studied music. She worked as a medical and legal secretary. Mrs. Denholm actively campaigned for her husband. She was involved in the Congressional Women’s Club while Denholm was in office. Mrs. Denholm passed away August 14, 2014. The collection includes correspondence between Frank and Mildred Denholm and her activities with the Congressional Women’s Club.

Edgar S. McFadden riding a horse in the 1917 Hobo Day parade at South Dakota State College

Esgar S. McFadden (far right) with five others in their World War I uniforms

Portrait of the McFadden family; from left to right: Mabel Lucille (Blakesly) McFadden, Edgar Sharpe McFadden, James McFadden, Beatrice (Stacking) McFadden

Two Hereford cows standing by a wooden fence next to a parked car on the McFadden farm

Baby portrait of Carol Mae McFadden, daughter of Edgar S. McFadden

Seven head sections of Success x Gatarni wheat breeding (No. 4); each is labeled with a letter (A through G), the wheat is part of Edgar S. McFadden's research on wheat genetics

Seven head sections of Success x Manchuria wheat breeding (No. 2); each is labeled with a letter (A through G), the wheat is part of Edgar S. McFadden's research on wheat genetics

Head sections of New Era Barley, the barley is part of Edgar S. McFadden's research

Two head sections of cross-pollinated barley (No. 1), the barley is part of Edgar S. McFadden's research

Edgar S. McFadden in a flax field at Kenedy

Edgar S. McFadden looking at wheat planted in pots, the wheat is part of Edgar S. McFadden;s research on wheat genetics

Edgar S. McFadden kneeling in a wheat field that is part of Edgar S. McFadden research on wheat genetics

Edgar S. McFadden sitting at his desk in his office

Edgar S. McFadden crouching on the ground holding shafts of wheat, the wheat is part of Edgar S. McFadden's research on wheat genetics

Field of wheat is a test plot for Edgar McFadden's research on wheat genetics

Edgar S. McFadden in a field of wheat that is a test plot for his research on wheat genetics

Edgar S. McFadden in a wheat test plot at a Texas A & M University College Station

Portrait of Edgar S. McFadden, McFadden is known for his breakthroughs in wheat genetics in South Dakota and in Texas

Edgar S. McFadden doing research in wheat genetics

Edgar S. McFadden at work in his office at Texas A & M University at College Station, Texas

Small grain experiments at Prairie View are observed by Edgar S. McFadden (right) nationally famous wheat breeder of Texas A & M College and Professor Manley Champlin, retired, former head of the department of field husbandry at the University of Saskatchewan, Canada; agronomist Oliver E. Smith (left) is in charge of the Experiment Station tests

Edgar S. McFadden is among a group of people in front of an unknown building

Edgar S. McFadden is among a group of people in front of an unknown building

Edgar S. McFadden speaking to a group of people in front of an unknown building

Edgar S. McFadden speaking to a group of people in front of an unknown building

Edgar S. McFadden standing in a field of wheat

Portrait of a young Edgar S. McFadden

Man showing the horse "Captain Dan" at the 1937 Little International Exposition at South Dakota State College.

Men stock fitting a horse at the 1937 Little International Exposition at South Dakota State College.

Doyle Barton, Huron, South Dakota, with the sheep fitting at the 1938 Little International Exposition at South Dakota State College.

Woman with a cow in the arena at the 1939 Little International Exposition at South Dakota State College.

Little International Queen in a buggy pulled by a pony in the arena at the 1939 Little International Exposition at South Dakota State College.

Man showing a pig at the 1940 Little International Exposition at South Dakota State College.

Musicians entertain the crowd at the 1940 Little International Exposition at South Dakota State College.

Woman milking a cow in the arena at the 1940 Little International Exposition at South Dakota State College.

Display of farm machinery in the arena at the 1941 Little International Exposition at South Dakota State College.

Robert Dailey with the Fitting and Showmanship Champion in the Beef Cattle Division at the 1941 Little International Exposition at South Dakota State College.

Military cadets presenting arms to the judges at the table in the arena at the 1941 Little International Exposition at South Dakota State College.

Cow judging in the arena at the 1942 Little International Exposition at South Dakota State College.

Swine judging in the arena at the 1942 Little International Exposition at South Dakota State College.

Men with brooms in their hands riding ponies in the arena at the 1942 Little International Exposition at South Dakota State College.

Military cadet posing for a photo at the 1943 Little International Exposition at South Dakota State College.

Woman and two men are announcers at the 1943 Little International Exposition at South Dakota State College.

Bum band at the 1943 Little International Exposition at South Dakota State College.

Man showing a horse in the arena at the 1943 Little International Exposition at South Dakota State College.

Man showing a cow in the arena at the 1943 Little International Exposition at South Dakota State College.

Man showing a pig in the arena at the 1946 Little International Exposition at South Dakota State College.

Kenneth Lounsbery won best freshman in the Horse Division at the 1946 Little International Exposition at South Dakota State College.

Women participants in the cow milking contest in the arena at the 1946 Little International Exposition at South Dakota State College.

Tumbling team provides entertainment for the crowd in the arena at the 1947 Little International Exposition at South Dakota State College.

Cattle judging in the arena at the 1947 Little International Exposition at South Dakota State College.

Swine judging in the arena at the 1947 Little International Exposition at South Dakota State College.

Women is milking a cow in the arena at the 1947 Little International Exposition at South Dakota State College.

Man showing a cow in the arena at the 1948 Little International Exposition at South Dakota State College.

Tumbling team provides entertainment for the crowd in the arena at the 1948 Little International Exposition at South Dakota State College.

Block and Bridle Club booth at the 1948 Little International Exposition at South Dakota State College. Sign reads: B. From Fleece to Fabric.

Man handing a plaque to another man during a banquet at the 1949 Little International Exposition at South Dakota State College.

Men shearing sheep at the 1949 Little International Exposition at South Dakota State College.

Group of winners at the 1949 Little International Exposition at South Dakota State College. Signs read: Wheat King Little International 1949. Most Outstanding Clothing Entry Little International 1949.

People looking at house plants in the Horticulture booth at the 1949 Little International Exposition at South Dakota State College.

Trophy presentation at the 1949 Little International Exposition at South Dakota State College.

Barbershop quartet entertaining the crowd at the 1949 Little International Exposition at South Dakota State College.

Horse judging in the arena at the 1950 Little International Exposition at South Dakota State College.

People looking at a display of farm machinery at the 1950 Little International Exposition at South Dakota State College.

Students judging wool at the 1950 Little International Exposition at South Dakota State College.

Men erecting the false barn wall for the 1951 Little International Exposition at South Dakota State College.

Man brushing the tail of a cow getting it ready for the stock show at the 1951 Little International Exposition at South Dakota State College.

Swine judging in the arena at the 1951 Little International Exposition at South Dakota State College.

Man holding a trophy and stands with his winning cow in the arena during the 1951 Little International Exposition at South Dakota State College.

Cattle judging in the arena during the 1951 Little International Exposition at South Dakota State College.

Publicity shots for the 1952 Little International Exposition at South Dakota State College. Delan Wood, Dick Luther and Wilfred Wollase shearing sheep.

Wool judging at the 1952 Little International Exposition at South Dakota State College.

Sheep judging in the arena at the 1952 Little International Exposition at South Dakota State College.

Cattle judging in the arena at the 1952 Little International Exposition at South Dakota State College.

Man holding a trophy is with his prize cow at the 1952 Little International Exposition at South Dakota State College.

Publicity shots for the 1953 Little International Exposition at South Dakota State College. Three men and a Hereford cow outside in the snow.

George B. German, WNAX radio, conducting an interview at the 1953 Little International Exposition at South Dakota State College.

Winners holding their trophies at the 1953 Little International Exposition at South Dakota State College.

Man stands next to his prize horse at the 1953 Little International Exposition at South Dakota State College.

Publicity show for the 1954 Little International Exposition at South Dakota State College. A man with a cow stand in the arena. Two women stand by the fence petting the cow. The false barn is in the background. Lettering on the barn read 31st Little International.

Empty arena at the 1954 Little International Exposition at South Dakota State College.

Cattle judging in the arena at the 1954 Little International Exposition at South Dakota State College.